![]() ![]() The world is made up of waves and sacred proportions.The Universe is made of one substance and has one shape – the Sine Wave.Our body contains within it holographically all the information of the universe. The structure of the human body is based upon the same set of principles that are found functioning on all levels of creation. We are a microcosmic reflection of the macrocosm. It can be described in terms of number, length, area, volume and, to a certain degree, beauty and consciousness. The golden ratio describes the special relationship found in nature between two parts of a whole. " Because the Pythagoreans thought that the heavenly bodies were separated from one another by intervals corresponding to the harmonic lengths of strings, they held that the movement of the spheres gives rise to a musical sound called the "harmony of the spheres." Modern science has indeed shown that planets have unique 'vibrations', or 'sounds' supporting Plato's conjecture. He proposed that the distances of the planets from the sun showed similar ratios from each other as the spheres surrounding each solids did. The theory of the 'Harmony of the Spheres' proposed by Plato who died around 347BC follower of Pythagoras and who shared his belief that the universe’s secrets lay maths and its numbers., in which he envisioned the five 'perfect' solids to be enclosed within imaginary spheres, each placed within the other. These same shapes are now realised to be intimately related to the arrangements of protons and neutrons in the elements of the periodic table. They came from a time over a thousand years earlier than the Greeks. These shapes predominated in the hundreds of carved prehistoric petrospheres found in Scotland with over 75% representing one of the Platonic Solids. Four of the solids were seen as the archetypal patterns behind the four elements (earth, air, fire, and water), while the fifth was held to be the pattern behind the life force itself, the Greeks' ether. The Greeks taught that these five solids were the core patterns of physical creation. The material varies from easily carved sandstone and serpentine to difficult, hard granite and quartzite. The function of these stones is unknown and so it is unclear whether I should list them here under the category art, but many are intricately carved with spirals or cross-hatching on the faces. Nonetheless, the dodecahedron appears here long before the Greeks wrote of it. For example, in addition to the 12-knob dodecahedral form shown in the center and just to its right above, there are also ones with 14 knobs, corresponding to a form with two opposite hexagons, each surrounded by six pentagons. The more mathematically regular ones do not appear to have had a special importance. Roughly half have 6 knobs-like the one at right above-but the others range from three to 160 knobs. Some are carved with lines corresponding to the edges of regular polyhedra. Hundreds of carved stone spheres, roughly three inches in diameter, believed to date to around 2000 BC, have been found in Scotland. ( Was he the first that wrote about them or we lost ancinet information and knowledges?) They get their name from the ancient Greek philosopher and mathematician Plato (c427-347BC) who wrote about them in his treatise, Timaeus. These are: - the tetrahedron (4 faces), cube (6 faces), octahedron (8 faces), dodecahedron (12 faces) and icosahedron (20 faces). ![]() There are five (and only five) Platonic solids (regular polyhedra). Some researchers have suggested that carved stone balls were attempts to realise the Platonic solids. That geometry continued to be employed throughout the centuries from those earliest times until times historically recent is also clearly evident. It is clearly evident that geometry was comprehended and utilized by the ancient Master Builders, who, laboring at the dawn of civilization some four and one half millennia ago, bestowed upon the world such masterworks as the megalithic structures of ancient Europe, the Pyramids and temples of Pharaonic Egypt and the stepped Ziggurats of Sumeria. This value system is seen as widespread even in prehistory, a cultural universal of the human condition.Īt the very earliest appearance of human civilization we observe the presence and importance of geometry. The basic belief is that geometry and mathematical ratios, harmonics and proportion are also found in music, light, cosmology. Sacred geometry involves sacred universal patterns used in the design of everything in our reality, most often seen in sacred architecture and sacred art. The term "sacred geometry" is used by archaeologists, anthropologists, and geometricians to encompass the religious, philosohical, and spiritual beliefs that have sprung up around geometry in various cultures during the course of human history. E-mail us your request for an advertising quote! ![]()
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